Kyoto

Bokashi Silk Thread

During my last stay in Hong Kong, I met Elizabeth Briel, who is an American visual artist, operating in Hong Kong and Athens. We usually take the chance to catch up when I am in Hong Kong, and Elizabeth is always working on interesting projects with a technological twist. This time, she introduced me to a silk thread from Kyoto which is plated with metals, including gold. The material has the properties of silk and gets a metal shine, which can range over a whole rainbow in colours, depending on the metals used. It is a hugely labour-intensive production process, which even includes the work of children, as they have the ability to do such fine work. The material is usually used for high en embroidery. We have seen no woven fabric yet. Talking to Chinese friends, caught their interest. Would it be possible to produce enough of the thread to weave a fabric that can be used in for example an extremely exclusive wedding dress?

Perhaps the answer to this question leads to Tilburg, a city in the Netherlands that once was the centre of a “European wool empire”, and then diversified rather creatively into other industries. But building on this heritage, there is a Textile Lab on the premises of the Tilburg Textile Museum. It is a fascinating place, which acts as a “development lab for makers” in textile. During a visit, I saw that in the lab, there are conductive yarns on the shelf. Would it be possible to produce a silk yarn and twill in a microscopically thin copper thread? Then use the conductivity to plate the silk with gold using electrolysis? What would that look like? And could such a process produce enough to put it on a loom? A few weeks later, I was able to meet Vera De Pont, who is working as a yarn specialist in the lab. Vera kindly met me in the museum library, and Elizabeth joined online to brainstorm on the possibilities of a future project. This was a first and very productive step. I guess, experimenting first with different twill structures and settings of electrolysis is a good way to start seeing what happens in practice. This sounds like occupying a good part of my summer break.

(Photo of the silk yarn by Elizabeth Briel 2021)

Kyoto and Nara

I took it as a positive sign of my ability to adapt deeply into neocommunist manners, that when I arrived in Japan coming from Beijing, I first felt like a caveman. But it luckily did not take more than 30 minutes to switch back to normal. So no permanent damage done. Japan is often described as a "cultural Galapagos" of East Asia and even it is a highly modern country, it preserved a lot of uniqueness. And I like it a lot.

It has been my third time being in Japan and the second time in Kyoto during the "Sakura" which is the time when the cherry trees blossom. Flying into Osaka, Kyoto is only a short local train ride away. In the high speed train Shinkansen you even shoot from one city to the other in only about 15 minutes.

When Kyoto was established as Heian-kyō (平安京, "tranquility and peace capital") is was modelled as a copy of the Chinese Tang Dynasty capital Chang'an (西安, Xi'an). Kyto remained the capital until the Emperial Court moved to Tokyo in 1896 as a consequence of the distructions during the Hamaguri rebellion. By contrast to Xi'an, Kyoto has preserved a lot of its charm and beauty. Kyoto is an important academic, philosophical and cultural center of Japan, has 14 UNESCO World Heritage sites and is definitely a region to explore with more time.

I was reading Lin Yutang's The Importance of Living on the way and had to burst laughing when he refused describing Buddhism in his book, because it is "too sad". Sharp observation, wise explanation and the good humor of Lin Yutang makes this book together with My Country and My People two absolute must reads for any Westerner who comes to China. I took a few chapters on Taoism (道教) twice and remembered my hopeless attempt to read Laozi in a German translation when I was a teenager. But now perhaps is a good time to catch up on it. In terms of Zen please be reminded of Eugen Herrigel's short essay Zen in the Art of Archery (I did not find the German original in electronic format) and D.T. Suzuki's An Introduction into Zen Buddhism

Taoism is for me a very sympathetic religion. First of all they don't set people on fire for believing in something else, don't blow themselves up in crowded vegetable markets and are also in other respects far less aggressive than for example the Abrahamic religions (Christians, Jews, Muslims). They don't believe in an old man in the sky who watches every move you make, but simply have an harmonious philosophy with their natural environment, themselves and other people. They don't even have dogmatic suppression of scientific research, do not burn books or pictures - and the best thing is: they have sex! Philosophical Taoism is a nice and colorful way of "explaining" the world around and makes undoubtedly good suggestions how to live in it happily and without annoying others. That's for me as good as a religion can get anyways. Also in the People's Republic of China Taoism is still quite common and under government supervision of a state bureaux called the China Taoist Association. 

Zen is a derivative of Mahayana Buddhism which goes back to the Chinese Tang Dynasty and is actively practiced mainly in Japan, Vietnam, Korea, China and also in some Western Regions. It practices a lot of meditation and tries to achieve enlightenment through "emptiness". Enlightenment or not - an interesting experiment has been undertaken by Richard Davidson by examining people with meditation experience in a MRI scanner. It shows that meditation changes the mind and increases attention. 

Opposite the Kyoto Museum (which I do not recommend to visit) I bumped into "David's Gallery Cafe". In the back part of the gallery leading to a small workshop I saw a painting of David Kidd by Claire Trevor. David Kidd started his time in Asia in 1946, aged 19, as an exchange student in China where he taught English at suburban colleges. He married Aimee Yu, the daughter of the former Chief of Justice of the supreme court of China and he experienced first hand the Communist Revolution in 1949. The New York Times wrote in his Orbitary in 1996 the he might have been "perhaps the only American in Tiananamen Square for the formal Communist takeover". He published his account in the book Peking Story: The Last Days of The Old China. Another book he published is All the Emporers Horses. After his devorce in the United States he moved to Japan in 1956 and established himself as an art collector and taught at various Universities and Art Institutions. 

Traveling by train less than one hour you reach the small town of Nara, which was the capital of Japan before Kyoto (710-784). Nara is a very pretty small town with huge parks. One of the attractions is the Todai-ji Temple, of which the Daibutsuden Hall is the world's largest wooden building. The whole city is full with ancient treasures and relicts, and it needs more than a day trip to explore it. For that case, the 1910 built Nara Hotel is a very nice place to stay over night. 

Japan’s Cherry Blossom

The first time I had the chance to see a bit of Japan outside Tokyo and Kobe. The route took me from Nagoya, first into the mountains to Takayama and then via Nagoya to Kyoto and back. Of course this is only a very small region, given the whole variety Japan offers in landscape and culture, but already this sample was stunningly beautiful. First of all arriving in Nagoya, I expected some haze which would have matched the fact that this city is one of the world’s largest industrial production power houses. But instead, I was surprised by crystal clear air and an amazing visibility over the city and the sea. Then a trip to Takayama, was a nice journey through though alpine sites and the city itself is quiet and has a centre of traditional Japanese houses. Then Kyoto has such a rich culture that it is completely impossible to see even only a fraction of it in a day. Japan needs more time, and is very interesting to explore. My first impression is that it is culturally utmost refined. Just the plain number of museums and traditional buildings show that such topics are a central point. People, are very friendly and kind, even though characters seem complex and faces and expressions hard to read (for me). I will for sure return to Japan and learn more.