In times of chemical fibers, shipping and air freight it seems incredible that a textile once was of such value that it justified the terrifying hardship to transport and trade it from China to Europe, crossing Central Asia. For me silk has always been a beautiful material and it is a metaphor of romance, grace and elegance. In ancient China only Emperors had access to it. During times of pests, healthy silk worms were still contained in Japan. This is the setting in which Alecandro Barico's novel Silk is narrated, which is the story of a French Silk worm smuggler. It is a very mystical book, which I liked a lot. There has also been a movie produced, which follows a pattern you often see when people work on this material: brilliant material and bad cut - applies in fashion as well as in directing this movie. I am frequently suprised why silk dresses actually are made so lousy. They count on the material to compensate for bad design and craftsmanship, I guess.
My own first contact with the Silk Road, was when I found Baron Ferdinand von Richthofen'sFuehrer fuer Forschungsreisende as a discounted reprint in my favorite hangout as a Geociences student in Cologne: the Goertz Map Shop. Ferdinand von Richthofen is not to be mistaken with Manfred von Richthofen, commonly known as The Red Baron. It was Ferdinand von Richthofen who first coined the name "Silk Road" for a system of trading paths which never were, nor are, one road.
The trigger to make a journey along the Chinese parts of the Silk Road came from Judy Bonavia's book The Silk Road from Xi'An to Kashgar which is published by my friend and former neighbor on Lamma Island Magnus Bartlett and is a brilliant historical and cultural guide. A very interesting account of the early explorers which found and took many mural paintings and treasures from Central Asia back to Europe, is Peter Hopkirk's Foreign Devils on the Silk Road. It is one of the constant allegations by Chinese that there were not explorers but robbers, and I have sympathy for that argument. On the other hand they are sometimes defended, saying that they actually secured the works from grave robbers and rescued them from the communists, who destroyed many art works and temples in the Cultural Revolution. The latter argument does not hold for the German collections though, as they have been to 40 % destroyed in the allied bombardment of Berlin at the end of World War II. The British Museum is more lucky, but keeps the collects at very low profile not to provoke anybody. Anyways, world cultural heritage is as the name says "world cultural heritage" and it does not really matter who is taking care of it, as long as everybody has access.
The better starting point for a journey along the Silk Road tough turned out to be not Xi'an but Loyang. This is a city south of Xi'An which states its claim to be included into the Silk Road and which was one of the four ancient capitals of China and the place where the legendary Journey to the West took its start. The famous Longmen Grottos are UNESCO world heritage site.
Xi'An is one of of the places of which people say you should go there once in a life time. I agree, in the sense of: if you happen to go there once, you will definitely not go there a second time. Xi'an holds one of the best known historical treasures of China: the Terracotta Soldiers. They are really very impressive individual art works and not mass production. However, not just that I have seen too many cheap replicas of them as garden decoration and flower pots all over the world - but I am also tired of these kind of tourists which fall in thousands into the site. Xi'An is a place where tour busses dump they human cargo. It is wise to start a Silk Road Journey not in Xi'An, but in Loyang. Otherwise your will change your mind, and strait away book a ticket to Thailand instead, because you already had enough.